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BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20251010T000000
DTEND;TZID=Europe/Stockholm:20260830T235959
DTSTAMP:20260816T081948
CREATED:20250825T084129Z
LAST-MODIFIED:20260312T140754Z
UID:10000235-1760054400-1788134399@liljevalchs.se
SUMMARY:When We See Us
DESCRIPTION:When We See Us: A Century of Black Figuration in Painting has been highlighted and acclaimed internationally as one of the most significant exhibitions in contemporary art. \n\n\n\nThe exhibition features over 148 works from institutional and private lenders located across 16 countries\, bringing together artworks from the past 100 years\, created by Black artists worldwide. The exhibition places these works in dialogue with Black thinkers\, writers\, and poets active today. When We See Us is the largest exhibition of Black figuration that is underpinned by joy. \n\n\n\nWhen We See Us is conceived and organized by Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA)\, where it deeply resonated with its audience and subsequently travelled to Kunstmuseum Basel in Basel and Bozar in Brussels. With a primary focus on painting\, the exhibition celebrates how artists from Africa and its diaspora (people of African descent living outside the continent) have envisioned\, positioned\, memorialized and asserted experiences from Africa and of African descent. The exhibition is co-curated by the late Koyo Kouoh\, appointed Curator of the 61st International Art Exhibition of the 2026 Venice Biennale\, and Tandazani Dhlakama\, former Zeitz MOCAA Curator and current Curator of Global Africa at Royal Ontario Museum (ROM). \n\n\n\n\n“The exhibition refuses to place Eurocentric narratives of oppression at the centre.” \n\n\n\n\n”When We See Us invites reflection on how Black artists over the past century have used figuration to depict various aspects of everyday life\, including intimacy\, belonging\, joy and resilience. The exhibition refuses to place Eurocentric narratives of oppression at the centre. It highlights Koyo Kouoh’s curatorial vision of placing African and diasporic practices at the centre of global art history”\, says Dhlakama. \n\n\n\nThe exhibition is organized around six themes: The Everyday\, Joy and Revelry\, Repose\, Sensuality\, Spirituality\, and Triumph and Emancipation. Based on these themes\, the exhibition offers a rich and nuanced picture of Black life and thought\, emphasising the resilience\, essence and political charge of Black Joy. The exhibition is grounded in a curatorial premise that shifts away from centering violence and trauma – subjects that have traditionally been associated with art from Africa and its diaspora. \n\n\n\n“When We See Us presents an alternative modernity\, highlighting artistic practices that have been historically excluded in Western Art History. The exhibition offers visitors a unique opportunity to experience art that has never been shown in Sweden\,” says Joanna Sandell Wright\, collaborating curator of the exhibition\, director and artistic leader of Liljevalchs. \n\n\n\nThe title of the exhibition is inspired by Ava DuVernay’s 2019 miniseries When They See Us\, it depicts various forms of violence against Black people as still witnessed globally today. Replacing “they” with “we” in the title indicates the crucial perspectival shift: The works on show bring into focus the artists’ lived realities. When We See Us highlights the relationships between artists and artworks across geographical\, generational\, and conceptual boundaries\, showcasing what Koyo Kouoh describes as a “parallel aesthetic.” It is a concept that Kouoh has used to describe how artists across the world develop similar artistic expressions sharing the same context. \n\n\n\nThe exhibition features works by artists never before shown in Sweden\, including Zandile Tshabalala\, Jacob Lawrence\, Chéri Samba\, Danielle McKinney\, Ben Enwonwu\, Kingsley Sambo\, Sungi Mlengeya\, Lynette Yiadom-Boakye\, Cyprien Tokoudagba\, Amy Sherald\, and Joy Labinjo\, among others. The exhibition is accompanied by a sonic translation created by South African composer and sound artist Neo Muyanga. \n\n\n\nIn connection with the exhibition in Stockholm\, Liljevalchs has invited Southnord to curate a series of events over the course of the show. Southnord is a groundbreaking platform dedicated to uplifting Black and Afrodiasporic artists in the Nordic region. They have brought together a group of inspiring Afro-Swedes to activate the exhibition through guided tours\, themed walkthroughs\, sonic performances\, readings for children\, portrait workshops for youth and more. \n\n\n\nA hardcover poetic catalog\, published in conjunction with the exhibition by Thames & Hudson in collaboration with Zeitz MOCAA and edited by Koyo Kouoh\, will be available for sale in Liljevalchs’ shop. The catalog is comprehensive and richly illustrated with all the works selected for the exhibition and includes a contextual essay by the exhibition’s co-curator Tandazani Dhlakama as well as four specially commissioned texts by acclaimed women writers: Ken Bugul (Senegal)\, Maaza Mengiste (Ethiopia)\, Robin Coste Lewis (USA) and Bill Kouelany (Congo-Brazzaville). \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nFoto: Jean-Baptiste Béranger \n\n\n\n\n\n\n\n\nÖppet idag 11–17\n\n\n\n Visitor info \n\n\n\n  Book a guided tour \n\n\n\n Liljevalchs+\, Falkenbergsgatan 3
URL:https://liljevalchs.se/kalender/when-we-see-us/
LOCATION:Liljevalchs+\, Falkenbergsgatan 3\, Stockholm\, 11521\, Sverige
CATEGORIES:Children & Youth,Guided tours,Konstsamling,Skola
ATTACH;FMTTYPE=image/png:https://liljevalchs.se/wp-content/uploads/2025/04/Zandile-Tshabalala_Two-reclining-women_2020_Acrylic-on-canvas_122-x-91.5cm-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20260621T000000
DTEND;TZID=Europe/Stockholm:20270110T235959
DTSTAMP:20260816T081948
CREATED:20260427T084952Z
LAST-MODIFIED:20260616T085949Z
UID:10000304-1782000000-1799625599@liljevalchs.se
SUMMARY:Ylva Snöfrid\, The House of the Muses
DESCRIPTION:Ylva Snöfrid Musernas husYlva Snöfrid\, The House of the Muses\nJune 21st 2026–January 10th 2027 \nYlva Snöfrid Musernas husYlva Snöfrid\, The House of the Muses\nJune 21st 2026–January 10th 2027 \n                    \n\n                                    \n            \n        \n        \n\n\n\n\n\n\nOn the day of the Summer Solstice\, June 21st\, Ylva Snöfrid fills Liljevalchs with The House of the Muses – a vibrant Gesamtkunstwerk and cosmic play\, transforming the century-old building into a pictorial and performative universe. During eight months\, Liljevalchs turns into a house for the nine muses and the four elements – earth\, water\, air and fire. \n\n\n\n“Once upon a time there was infinity\, a revolution around the sun\, a planetary time axis\, a spiral. The world and time curved\, String theory. Quantum physics. The back is a front\, a black hole. An event horizon. Once upon a time there were nine muses and four elements.”– Excerpt from Ylva Snöfrid’s manuscript. \n\n\n\nThe House of the Muses is based on a manuscript written by Snöfrid in the Swiss alps. The most extensive presentation of her practice up to date\, the exhibition spans 400 paintings\, thousands of sketches\, prints\, objects\, as well as specially crafted furniture coated in oil paint. Everything is transferred from the artist’s home over to Liljevalchs and many of the works bear traces of the artist’s life and earlier works. \n\n\n\nSnöfrid’s pictorial cycles spans over decades. A recurring one is the ritual painting\, where each act is an artistic one\, interweaving life and art in a flow where existentiality opens up towards a cosmological perspective and the imaginary is merged with the stardust and the dark matter of the universe. \n\n\n\nThe House of the Muses unfolds in thirteen galleries where each room corresponds to a muse or an element asking the questions: Whose perspective is this? Whose childhood? Mine? Yours? Ours? Who is the protagonist? Who is the monster? As a visitor\, you’re invited to engage with the work and to move through the exhibition in your own individual manner. There are around 30 rituals to take part of\, and you can participate in festivities\, plays and happenings where the paintings and installations are made usable. The exhibition also follows life events such as birth\, childhood\, adolescence\, wisdom and dream. \n\n\n\nThe work embraces a number of partnerships with other artists and parties. Prior to the opening of the exhibition\, and during its duration\, the artist is working together with the director and actor Rebecka Hemse and The Royal Dramatic Theatre. Actors from the ensemble of The Royal Dramatic Theatre will on a number of occasions enact scenes inside the work\, stemming from both the world drama repertoire and from scenes based on the manuscript Snöfrid has written and edited alongside Rebecka Hemse. The scenes become elements of the work and new works within the work simultaneously – a dialogue between artist and playwright\, between art and drama\, between Kunsthalle and theatre. \n\n\n\nThe last gallery\, number 13\, is dedicated to the dream world\, and here\, the new painting suite The Dream Rite expands across the floor. Here\, the visitors can step on the paintings and engage with the work through their own dancing rituals. On a number of occasions\, the work will be activated through music created by the music producer Kornél Kovács and the musician Isak Hedtjärn\, as well as dance based on the choreography of the Dream Rite. \n\n\n\nAn exhibition catalogue is produced by the culture publication NUDA. The experimental three-parted publication follows the progression of the exhibition\, containing multiples\, the artist’s own deck of tarot cards with instructions for rituals\, texts by Nicolas Bourriaud\, Cathryn Drake\, Sinziana Ravini\, Joanna Sandell Wright\, Cara Schacter and Marina Tsvetajeva\, as well as parts of Snöfrid’s manuscript.Ylva Snöfrid is known for her performative works\, pushing the boundaries of painting; within Snöfrid’s ritualized world\, everything revolves around painting that moves between figuration and matter. Her artistic process often takes place in communal rooms and in collective rituals\, where she takes on the role as a mediator between work and reality. In 2017\, she performed a “transmutation ritual” in which she became one with her twin soul Snöfrid. \n\n\n\nYlva Snöfrid has been based in New York\, Berlin\, Athens and Stockholm. She has exhibited extensively around the world in numerous large exhibitions and site-specific works\, including Istanbul Biennal\, Performa in New York\, Palais de Tokyo\, Swiss Institute in New York\, Institut Suédois in Paris\, Bonniers konsthall and Kunsthal Charlottenborg in Copenhagen. \n\n\n\n“—-It is ridiculous\, everything is a joke\, the artist is a clown in society…but everyone is born an artist!!! I am an artist\, a fool\, an idiot!”– Excerpt from Ylva Snöfrid’s manuscript for the muse Urania \n\n\n\nThe exhibition is curated by Joanna Sandell Wright\, Director of Liljevalchs. \n\n\n\nPhoto: Märta Thisner \n\n\n\n\n\n \n\n\n\n\n\n Opens June 21st \n\n\n\n Visit us \n\n\n\n  Book a guided tour \n\n\n\n Liljevalchs\, Djurgårdsvägen 60
URL:https://liljevalchs.se/kalender/ylva-snofrid/
CATEGORIES:Children & Youth,Guided tours,Konstsamling,Skola
ATTACH;FMTTYPE=image/jpeg:https://liljevalchs.se/wp-content/uploads/2026/04/ylvasnofrid_6W7A2365_x_1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20260816T140000
DTEND;TZID=Europe/Stockholm:20260816T150000
DTSTAMP:20260816T081948
CREATED:20260810T122340Z
LAST-MODIFIED:20260810T123231Z
UID:10000333-1786888800-1786892400@liljevalchs.se
SUMMARY:Guided tour: When We See Us
DESCRIPTION:Come along for a guided tour of the exhibition When We See Us. \n\n\n\nThe guide for the tour is Heavens Okwuego\, who makes a guest appearence at Liljevalchs from Bozar in Brussels\, where the exhibition was shown last year. The tour will offer a deeper understanding for the exhibition and its six themes; The Everyday\, Repose\, Triumph & Emancipation\, Sensuality\, Spirituality and Joy & Revelry. \n\n\n\nThe exhibition has been internationally acclaimed as one of the most significant exhibitions of our time. It features 148 works from institutional and private lenders located across 16 countries\, bringing together artworks from the past 100 years\, created by Black artists worldwide. The exhibition places these works in dialogue with Black thinkers\, writers\, and poets active today. \n\n\n\nThe guided tour is held in English. The duration is approx. 1 hr.Limited capacity. Prepurchase your ticket to ensure your spot. The ticket is also valid as an entrance to the exhibition. \n\n\n\nImage: Heavens Okwuego. Photo by Friyal Sadik \n\n\n\n\n\nSunday August 16th at 2PM \n\n\n\n Liljevalchs+  \n\n\n\n Buy a ticket
URL:https://liljevalchs.se/kalender/guided-tour-when-we-see-us-6/
CATEGORIES:Konstsamling
ATTACH;FMTTYPE=image/heic:https://liljevalchs.se/wp-content/uploads/2025/10/IMG_4822-scaled-e1760947056205.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20260822T000000
DTEND;TZID=Europe/Stockholm:20270110T235959
DTSTAMP:20260816T081948
CREATED:20260617T092415Z
LAST-MODIFIED:20260810T120720Z
UID:10000326-1787356800-1799625599@liljevalchs.se
SUMMARY:Art Lab: Masks
DESCRIPTION:Welcome to our Art Lab where you can make your own mask with inspiration from Ylva Snöfrid’s exhibition The House of the Muses. \n\n\n\nThe mask is a recurring element in Ylva Snöfrid’s practice\, and is often used as a part of her rituals. In our Art Lab\, you get a chance to create your own mask. Who are you\, and who would you like to be? \n\n\n\nWhen the Art Lab is activated\, you will also get a chance to perform the Exquisite Corpse ritual\, which is one of the 34 rituals in the exhibition. \n\n\n\nDate and time:Open every Saturday-Sunday until January 10th. Drop in from 11 AM-5 PM.  \n\n\n\nBooking information::For all ages. No pre-booking required\, first come first served. Limited number of spots. If the Art Lab is at capacity\, you will be offered a queue slot and can wait for your turn. \n\n\n\nPrice:A visit to the Art Lab is free of charge. As an adult\, you also get free admission to the exhibition when visiting the Art Lab with a child aged 0-17 (valid for one person per child). Tell the staff in the front desk that you will visit the Art Lab. \n\n\n\n\n\n Every Saturday and Sunday until January 10th\, drop-in at 11 AM–5 PM  \n\n\n\n Liljevalchs\, Djurgårdsvägen 60  \n\n\n\n Free admission. Drop in on site.
URL:https://liljevalchs.se/kalender/art-lab-masks/
CATEGORIES:Children & Youth,Skaparverkstad
ATTACH;FMTTYPE=image/jpeg:https://liljevalchs.se/wp-content/uploads/2025/11/Skaparverkstad_2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20260828T000000
DTEND;TZID=Europe/Stockholm:20260830T235959
DTSTAMP:20260816T081948
CREATED:20260814T131904Z
LAST-MODIFIED:20260814T132607Z
UID:10000340-1787875200-1788134399@liljevalchs.se
SUMMARY:Finissage weekend: When We See Us
DESCRIPTION:Over the final weekend of When We See Us: A Century of Black Figuration in Painting\, we celebrate the closing of the exhibition with a packed programme featuring guided tours\, artist talks\, DJs and much more. Welcome! \n\n\n\nHere you can find the full programme for the finissage weekend. Please note that several of the events have limited capacity and require advance booking. \n\n\n\nFinissage PartyFriday 28 August\, 5–8 pm\n\n\n\nExtended opening hours and free admission. Join us as we round off the exhibition with a festive evening in Blå Porten’s garden\, with music and refreshments (we will serve a free drink to the first 200 guests). The When We See Us exhibition will stay open until 8 pm especially for this evening\, so take the opportunity to see it if you haven’t had the chance yet—or visit it again if you’ve already been. \n\n\n\nRSVP here \n\n\n\nFinissage SymposiumSaturday 29 August\, 1–5 pm\n\n\n\nMarking the conclusion of When We See Us\, the symposium brings together artists and curators to consider what a century of Black figuration means within our contemporary times. Curated by Tawanda Appiah\, it extends the histories\, artistic lineages and conceptual nuances that run through the exhibition. It opens a space for reflection on painting as self-authorship and embodiment\, alongside archival memory\, ancestral presence and imagined futures. Attending closely to the material and formal qualities of painting\, a series of artist talks and curatorial conversations will emphasize how Black artists have shaped and expanded the possibilities of figuration across generations. \n\n\n\nParticipants: Tawanda Appiah\, curator; Ayan Farah\, artist; Eric Magassa\, artist; Kayo Mpoyi\, artist; Heavens Okwuego\, guide; Kambui Olujimi\, artist; and Joanna Sandell Wright\, Director of Liljevalchs. \n\n\n\nThe symposium will be held in English. It concludes with a DJ-set by Eric Magassa and mingle at café Blå+. \n\n\n\nThe full programme will be announced shortly.  \n\n\n\nLimited capacity. Buy your ticket in advance here to make sure you get a spot. \n\n\n\nSunday 30 August\, 11 am–5 pm\n\n\n\nOn the final day of When We See Us: A Century of Black Figuration in Painting\, we are offering extra guided tours of the exhibition. The tours will be held by Heavens Okwuego\, who joins Liljevalchs from Bozar in Brussels\, where the exhibition was presented last year. In English. \n\n\n\n12 pm Brief introduction (20 min). Free admission. No advance booking. First come\, first served!2 pm Guided tour (60 min). Limited capacity. Buy your ticket in advance here.4 pm Brief introduction (20 min). Free admission. No advance booking. First come\, first served! \n\n\n\nAbout the exhibition\n\n\n\nWhen We See Us: A Century of Black Figuration in Painting has been highlighted and acclaimed internationally as one of the most significant exhibitions in contemporary art. The exhibition features over 148 works from institutional and private lenders located across 16 countries\, bringing together artworks from the past 100 years\, created by Black artists worldwide. The exhibition places these works in dialogue with Black thinkers\, writers\, and poets active today. When We See Us is the largest exhibition of Black figuration that is underpinned by joy. \n\n\n\nThe exhibition is conceived and organized by Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA). \n\n\n\nPhoto: Jean-Baptsite Béranger \n\n\n\n\n\n 28–30 augusti  \n\n\n\n Liljevalchs+  \n\n\n\n RSVP Friday 28 Aug \n Tickets symposium 29 Aug
URL:https://liljevalchs.se/kalender/finissage-weekend-when-we-see-us/
LOCATION:Liljevalchs+\, Falkenbergsgatan 3\, Stockholm\, 11521\, Sverige
CATEGORIES:Konstsamling
ATTACH;FMTTYPE=image/jpeg:https://liljevalchs.se/wp-content/uploads/2025/08/DSF7022-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20260830T140000
DTEND;TZID=Europe/Stockholm:20260830T150000
DTSTAMP:20260816T081948
CREATED:20260810T122742Z
LAST-MODIFIED:20260810T123030Z
UID:10000334-1788098400-1788102000@liljevalchs.se
SUMMARY:Guided tour: When We See Us
DESCRIPTION:Come along for a guided tour of the exhibition When We See Us. \n\n\n\nThe guide for the tour is Heavens Okwuego\, who makes a guest appearence at Liljevalchs from Bozar in Brussels\, where the exhibition was shown last year. The tour will offer a deeper understanding for the exhibition and its six themes; The Everyday\, Repose\, Triumph & Emancipation\, Sensuality\, Spirituality and Joy & Revelry. \n\n\n\nThe exhibition has been internationally acclaimed as one of the most significant exhibitions of our time. It features 148 works from institutional and private lenders located across 16 countries\, bringing together artworks from the past 100 years\, created by Black artists worldwide. The exhibition places these works in dialogue with Black thinkers\, writers\, and poets active today. \n\n\n\nThe guided tour is held in English. The duration is approx. 1 hr.Limited capacity. Prepurchase your ticket to ensure your spot. The ticket is also valid as an entrance to the exhibition. \n\n\n\nImage: Heavens Okwuego. Photo by Friyal Sadik \n\n\n\n\n\n Sunday August 30th at 2PM  \n\n\n\n Liljevalchs+  \n\n\n\nBuy a ticket
URL:https://liljevalchs.se/kalender/guided-tour-when-we-see-us-7/
CATEGORIES:Konstsamling
ATTACH;FMTTYPE=image/heic:https://liljevalchs.se/wp-content/uploads/2025/10/IMG_4822-scaled-e1760947056205.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20261008T000000
DTEND;TZID=Europe/Stockholm:20261011T235959
DTSTAMP:20260816T081948
CREATED:20260812T110519Z
LAST-MODIFIED:20260812T110809Z
UID:10000336-1791417600-1791763199@liljevalchs.se
SUMMARY:Grand Antiques\, Art & Design 2026
DESCRIPTION:In October\, Grand Antiques\, Art & Design returns to Liljevalchs+ for another edition of one of the Nordic region’s most compelling fairs for art\, design and antiques. \n\n\n\nFor a few days\, the galleries of Liljevalchs will be filled with the finest in art\, design and antiques – all available for purchase. Each exhibitor has carefully selected their most unique\, exceptional and eye-catching pieces especially for the occasion. \n\n\n\nAntiques\, Scandinavian design\, antique jewellery\, rugs\, sculpture\, and outstanding modern and classical art come together in a distinctive and inspiring presentation that makes the fair truly special. \n\n\n\nVisitors can join guided tours or explore the inspiring galleries at their own pace\, discovering exceptional and unique objects while meeting some of Sweden’s leading art and antiques dealers and experts. \n\n\n\nAll exhibitors are members of the Swedish Art and Antiques Dealers Association (SKAF) – a mark of quality\, expertise\, authenticity and professionalism. \n\n\n\nThis year’s exhibitors: Anjemarks Antikhandel\, AntikWest Oriental Antiques\, Berglöfs Antikhandel\, Marcus Blank – Swedish and International Art\, Bowallens Antik\, C&V Jewellery Escape\, ClassicArtworks\, Déjà-Vu Antik\, Edelstam Konst & Antikviteter\, FA:s Antik\, Galleri Agardh & Tornvall\, Galleri Frendberg\, Möbelberget\, Helms Antikvitetshandel\, Knutssons Antik & Konsthandel\, Larssons Konsthandel\, Lundgrens\, Modernisten\, Mollbrinks Konst\, Nordlings\, Ribbhagen\, Sjöström Antik\, Thunér Antikhandel\, von Platen Modern Form and Zimmerdahl Antiques & Design. \n\n\n\nOpening hours:Thursday 8 October: 11:00–17:00Friday 9 October: 11:00–18:00Saturday 10 October: 11:00–17:00Sunday 11 October: 11:00–17:00Buy your ticket in advance or at the reception desk.Welcome to Grand Antiques – a meeting place for everyone who appreciates the timeless\, the unique and the beautiful. \n\n\n\n\n\nDate: 8–11 October  \n\n\n\n Get ticket \n\n\n\n Liljevalchs+
URL:https://liljevalchs.se/kalender/grand-antiques-art-design-2026/
LOCATION:Liljevalchs+\, Falkenbergsgatan 3\, Stockholm\, 11521\, Sverige
ATTACH;FMTTYPE=image/jpeg:https://liljevalchs.se/wp-content/uploads/2026/07/grand-antiques-2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20261113T000000
DTEND;TZID=Europe/Stockholm:20270228T235959
DTSTAMP:20260816T081948
CREATED:20260813T130811Z
LAST-MODIFIED:20260813T131537Z
UID:10000337-1794528000-1803859199@liljevalchs.se
SUMMARY:Sara-Vide Ericson\, DRIFT
DESCRIPTION:Sara-Vide EricsonSara-Vide Ericson\nDRIFT\nNovember 13th 2026–February 28th 2027 \nSara-Vide EricsonSara-Vide Ericson\nDRIFT\nNovember 13th 2026–February 28th 2027 \n                    \n\n                                    \n            \n        \n        \n\n\n\n\n\n\nDRIFT begins in the Arctic Ocean\, on board the icebreaker Oden\, embarking on both an inner and outer expedition. Over six weeks\, Sara-Vide Ericson works in a container on deck painting eighty new works\, while the ship is breaking through two-metre-thick ice surrounded by a landscape that’s constantly shifting. \n\n\n\nIn 2025\, Sara-Vide joins the expedition Canada-Sweden Arctic Ocean in which the icebreaker Oden paves the way through the frozen landscape. The process is both transformative and strenuous\, including helicopter excursions onto the ice to gather material for the works emerging on board as well as for the continued work in the artist’s home studio in Hälsingland. \n\n\n\nDRIFT spans around eighty new works\, a story about the human drive meeting the unyielding forces of nature\, but also a confrontation with inner drives\, fears and limitations. \n\n\n\n-Sara-Vide Ericson approaches other forces in nature. I’m fascinated by and recognize the urge that compels her when she paints. In some ways\, she doesn’t differentiate between the predator’s hunger\, the horse’s need for movement or her own urge to make art. The need to paint is simultaneously an insight and an urge\, says Joanna Sandell Wright\, Artistic Director of Liljevalchs. \n\n\n\nFor this exhibition\, Sara-Vide Ericson has worked in an expanded field of painting\, ranging from monumental canvases and installations to materials from the Arctic expedition. At a depth of 4\,000 metres beneath the Arctic Ocean\, rare ground sediments were collected through deep sea drilling – a research material where organic and geologic content is preserved in oxygen-deficient environments for millennia. In Ericson’s work\, these unique sediments integrate into the works: they are dried\, ground and transformed into pigment. Simultaneously\, they approach each other through the body – via touch\, scent and taste – in an exploration where measurable data meet sensuous experiences. Here\, the precisely measurable is faced with the deeply subjective. All the works are new and are exhibited for the very first time.The expedition is a tangible experience of displacement and resistance\, but also an image of the conditions of art-making. When the body and the immense presence of the ice meet\, themes that long have characterized Ericson’s practice are deepened: presence\, transformation\, and the limit between dissolution and unity. \n\n\n\nDuring the last few years\, Sara-Vide Ericson has established herself as one of her generation’s most significant artists\, exhibiting both in Sweden and internationally. In her figurative painting\, personal experiences\, mythical motifs and the sovereignty of nature are interwoven in intense and physical imagery. The practice emanates from a physical way of working\, where presence\, vulnerability and transformation are recurring themes. In DRIFT\, these explorations are deepened through an encounter with a landscape that both carries and dissolves the human being. \n\n\n\nPhoto: Christian Larsson \n\n\n\n \n\n\n\n\n\n\n\n Opens November 13th \n\n\n\n Visitor’s info \n\n\n\n  Book a guided tour \n\n\n\n Liljevalchs+\, Falkenbergsgatan 3
URL:https://liljevalchs.se/kalender/sara-vide-ericson-drift/
LOCATION:Liljevalchs+\, Falkenbergsgatan 3\, Stockholm\, 11521\, Sverige
CATEGORIES:Children & Youth,Guided tours,Konstsamling,Skola
ATTACH;FMTTYPE=image/jpeg:https://liljevalchs.se/wp-content/uploads/2026/05/SARA-VIDE-PRESSBILD-WEB-1.jpg
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