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DTSTART;TZID=Europe/Stockholm:20251023T000000
DTEND;TZID=Europe/Stockholm:20251026T235959
DTSTAMP:20260927T065608
CREATED:20250825T100425Z
LAST-MODIFIED:20250902T095712Z
UID:10000236-1761177600-1761523199@liljevalchs.se
SUMMARY:Grand Antiques\, Art & Design
DESCRIPTION:In October\, it’s time for this year’s edition of the Nordic region’s most interesting art\, design and antique fair – Grand Antiques\, Art & Design på Liljevalchs. \n\n\n\nFor four days\, the halls of Liljevalchs are filled with the best within antiques\, art and design – all available for purchase. All of the exhibitors present their most unique\, high-quality and striking pieces specifically for this event. Antique jewellery\, fire-gilded Empire bronzes\, Scandinavian and Italian design\, oriental rugs\, sculptures and outstanding works of art are brought together in a setting that makes the fair truly remarkable. \n\n\n\nVisitors are welcome to join guided tours or explore the inspiring rooms at their own pace\, discover rare pieces and meet the leading art experts and antique dealers in Sweden. All of the exhibitors are members of the Swedish Art and Antique Dealers Association (SKAF) – a guarantee of quality\, expertise and authenticity. \n\n\n\nThis year’s exhibitors: Anjemarks Antikhandel\, AntikWest Oriental Antiques\, Berglöfs Antikhandel\, Marcus Blank – Swedish and International Art\, Bowallens Antik\, C&V Jewellery Escape\, ClassicArtworks\, Déjà-Vu Antik\, Edelstam Konst & Antikviteter\, FA:s Antik\, Galleri Agardh & Tornvall\, Galerie Donner\, Galleri Frendberg\, Galleri Kroken\, Helms Antikvitetshandel\, Hoffmans Antikhandel\, Knutssons Antik & Konsthandel\, Larssons Konsthandel\, Lundgrens\, Modernisten\, Mollbrinks Konst\, Napoleon Antik\, Nordlings\, Ribbhagen\, Sjöström Antik\, Skajs Antikhandel\, Streco Orientmattor\, Thunér Antikhandel\, von Platen Modern Form samt Zimmerdahl Antiques & Design. \n\n\n\nOpening hours:Thursday 23/10 11–17Friday 24/10 11–18Saturday 25/10 11–17Sunday 26/10 11–17Welcome to Grand Antiques\, a gathering place for all of those who appreciate everything timeless\, unique and beautiful. \n\n\n\n\n\nDates: 23–26 oktober  \n\n\n\n Visit us \n\n\n\n Liljevalchs\, Main building
URL:https://liljevalchs.se/kalender/grand-antiques-art-design/
LOCATION:Liljevalchs Bergstenshuset\, Djurgårdsvägen 60\, Stockholm\, 11521\, Sverige
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20251011T140000
DTEND;TZID=Europe/Stockholm:20251011T150000
DTSTAMP:20260927T065608
CREATED:20251007T083927Z
LAST-MODIFIED:20251007T083928Z
UID:10000244-1760191200-1760194800@liljevalchs.se
SUMMARY:Curator's tour: When We See Us
DESCRIPTION:Join us for a guided tour with Tandazani Dhlakama\, the curator of the exhibition When We See Us: A Century of Black Figuration in Painting. \n\n\n\nThe tour will center around the six themes in the exhibition: The Everyday\, Joy and Revelry\, Repose\, Sensuality\, Spirituality and Triumph and Emancipation. \n\n\n\nThe exhibition has been internationally acclaimed as one of the most significant exhibitions of our time. It features 148 works from institutional and private lenders located across 16 countries\, bringing together artworks from the past 100 years\, created by Black artists worldwide. The exhibition places these works in dialogue with Black thinkers\, writers\, and poets active today. \n\n\n\nThe duration of the guided tour is 45 minutes\, and it is held in English.Limited capacity. \n\n\n\nImage: Tandazani Dhlakama in the exhibition. Photo by Friyal Sadik \n\n\n\n\n\n Saturday Oct 11 at 14.00  \n\n\n\n Liljevalchs+  \n\n\n\n Buy ticket
URL:https://liljevalchs.se/kalender/curators-tour-when-we-see-us/
CATEGORIES:Konstsamling
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20251010T000000
DTEND;TZID=Europe/Stockholm:20260830T235959
DTSTAMP:20260927T065608
CREATED:20250825T084129Z
LAST-MODIFIED:20260312T140754Z
UID:10000235-1760054400-1788134399@liljevalchs.se
SUMMARY:When We See Us
DESCRIPTION:When We See Us: A Century of Black Figuration in Painting has been highlighted and acclaimed internationally as one of the most significant exhibitions in contemporary art. \n\n\n\nThe exhibition features over 148 works from institutional and private lenders located across 16 countries\, bringing together artworks from the past 100 years\, created by Black artists worldwide. The exhibition places these works in dialogue with Black thinkers\, writers\, and poets active today. When We See Us is the largest exhibition of Black figuration that is underpinned by joy. \n\n\n\nWhen We See Us is conceived and organized by Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA)\, where it deeply resonated with its audience and subsequently travelled to Kunstmuseum Basel in Basel and Bozar in Brussels. With a primary focus on painting\, the exhibition celebrates how artists from Africa and its diaspora (people of African descent living outside the continent) have envisioned\, positioned\, memorialized and asserted experiences from Africa and of African descent. The exhibition is co-curated by the late Koyo Kouoh\, appointed Curator of the 61st International Art Exhibition of the 2026 Venice Biennale\, and Tandazani Dhlakama\, former Zeitz MOCAA Curator and current Curator of Global Africa at Royal Ontario Museum (ROM). \n\n\n\n\n“The exhibition refuses to place Eurocentric narratives of oppression at the centre.” \n\n\n\n\n”When We See Us invites reflection on how Black artists over the past century have used figuration to depict various aspects of everyday life\, including intimacy\, belonging\, joy and resilience. The exhibition refuses to place Eurocentric narratives of oppression at the centre. It highlights Koyo Kouoh’s curatorial vision of placing African and diasporic practices at the centre of global art history”\, says Dhlakama. \n\n\n\nThe exhibition is organized around six themes: The Everyday\, Joy and Revelry\, Repose\, Sensuality\, Spirituality\, and Triumph and Emancipation. Based on these themes\, the exhibition offers a rich and nuanced picture of Black life and thought\, emphasising the resilience\, essence and political charge of Black Joy. The exhibition is grounded in a curatorial premise that shifts away from centering violence and trauma – subjects that have traditionally been associated with art from Africa and its diaspora. \n\n\n\n“When We See Us presents an alternative modernity\, highlighting artistic practices that have been historically excluded in Western Art History. The exhibition offers visitors a unique opportunity to experience art that has never been shown in Sweden\,” says Joanna Sandell Wright\, collaborating curator of the exhibition\, director and artistic leader of Liljevalchs. \n\n\n\nThe title of the exhibition is inspired by Ava DuVernay’s 2019 miniseries When They See Us\, it depicts various forms of violence against Black people as still witnessed globally today. Replacing “they” with “we” in the title indicates the crucial perspectival shift: The works on show bring into focus the artists’ lived realities. When We See Us highlights the relationships between artists and artworks across geographical\, generational\, and conceptual boundaries\, showcasing what Koyo Kouoh describes as a “parallel aesthetic.” It is a concept that Kouoh has used to describe how artists across the world develop similar artistic expressions sharing the same context. \n\n\n\nThe exhibition features works by artists never before shown in Sweden\, including Zandile Tshabalala\, Jacob Lawrence\, Chéri Samba\, Danielle McKinney\, Ben Enwonwu\, Kingsley Sambo\, Sungi Mlengeya\, Lynette Yiadom-Boakye\, Cyprien Tokoudagba\, Amy Sherald\, and Joy Labinjo\, among others. The exhibition is accompanied by a sonic translation created by South African composer and sound artist Neo Muyanga. \n\n\n\nIn connection with the exhibition in Stockholm\, Liljevalchs has invited Southnord to curate a series of events over the course of the show. Southnord is a groundbreaking platform dedicated to uplifting Black and Afrodiasporic artists in the Nordic region. They have brought together a group of inspiring Afro-Swedes to activate the exhibition through guided tours\, themed walkthroughs\, sonic performances\, readings for children\, portrait workshops for youth and more. \n\n\n\nA hardcover poetic catalog\, published in conjunction with the exhibition by Thames & Hudson in collaboration with Zeitz MOCAA and edited by Koyo Kouoh\, will be available for sale in Liljevalchs’ shop. The catalog is comprehensive and richly illustrated with all the works selected for the exhibition and includes a contextual essay by the exhibition’s co-curator Tandazani Dhlakama as well as four specially commissioned texts by acclaimed women writers: Ken Bugul (Senegal)\, Maaza Mengiste (Ethiopia)\, Robin Coste Lewis (USA) and Bill Kouelany (Congo-Brazzaville). \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nFoto: Jean-Baptiste Béranger \n\n\n\n\n\n\n\n\nÖppet idag 11–17\n\n\n\n Visitor info \n\n\n\n  Book a guided tour \n\n\n\n Liljevalchs+\, Falkenbergsgatan 3
URL:https://liljevalchs.se/kalender/when-we-see-us/
LOCATION:Liljevalchs+\, Falkenbergsgatan 3\, Stockholm\, 11521\, Sverige
CATEGORIES:Children & Youth,Guided tours,Konstsamling,Skola
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BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20250905T000000
DTEND;TZID=Europe/Stockholm:20251012T235959
DTSTAMP:20260927T065608
CREATED:20250825T135346Z
LAST-MODIFIED:20250915T092133Z
UID:10000234-1757030400-1760313599@liljevalchs.se
SUMMARY:Liselotte Watkins\, Edicola Due
DESCRIPTION:Liselotte Watkins is one of Sweden’s most distinctive visual storytellers and artists. At the centre of the exhibition Edicola Due – for Liljevalchs is a hexagonal chapel made up of 36 assembled paintings\, forming a space rich with symbolism. \n\n\n\nLiselotte Watkins weaves together art history\, philosophy\, activism\, and popular culture with a personal imprint. Utilising an explicitly analogue and tactile method\, she creates works in which every detail carries meaning – drawn from real-life encounters\, books\, printed materials\, and physical environments rather than digital sources. In Edicola Due – for Liljevalchs\, references can be found to artists and figures such as David Hockney\, Carla Lonzi\, and Carla Accardi\, Donatello’s David\, Dante and Marie Laure de Decker\, as well as contemporary symbols like the Nike logo. \n\n\n\nIn connection with the exhibition\, a special publication has been produced for Liljevalchs\, in collaboration between Liselotte Watkins and Helene Fuchs. The paper contains newly written texts on topics ranging from one of Cleopatra Pia Tolomei’s last relatives\, to camel libraries\, Don Quixote\, and a story about how young girls were rescued from Kabul. \n\n\n\nThe title Edicola Due refers both to the small kiosks that once characterised cities like Rome and to the miniature chapels still found throughout Italian villages. Watkins\, who now lives in Tuscany\, draws inspiration from the Italian cultural environment and her overflowing studio cosmos – where books\, images\, and fragments become visual narratives. \n\n\n\n\n–Edicola Due is a kind of requiem for my love of the newsstand\, that place that was always part of the streetscape but is now disappearing. I still remember the feeling of seeing my illustration in The New York Times for the first time. It was magical. That feeling\, that presence\, is what I want to preserve in Edicola Due\, says Liselotte Watkins. \n\n\n\n\nWatkins broke through internationally as a fashion illustrator in the late 1990s with commissioners such as Prada\, Vogue\, Elle\, and The New Yorker. Over the past decade\, she has fully devoted herself to her independent art practice\, creating a unique visual language where the female body\, symbolism\, and everyday objects gain new meanings. \n\n\n\nCurator for the exhibition is Joanna Sandell Wright. \n\n\n\n \n\n\n\n\n\n\n\n Opens September 5th \n\n\n\n Visit us \n\n\n\n Main building
URL:https://liljevalchs.se/kalender/liselotte-watkins-edicola-due/
LOCATION:Liljevalchs Bergstenshuset\, Djurgårdsvägen 60\, Stockholm\, 11521\, Sverige
CATEGORIES:Children & Youth,Guided tours,Skola
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BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20250614T000000
DTEND;TZID=Europe/Stockholm:20251012T235959
DTSTAMP:20260927T065608
CREATED:20250819T094239Z
LAST-MODIFIED:20250902T110518Z
UID:10000231-1749859200-1760313599@liljevalchs.se
SUMMARY:Art Lab: Birds
DESCRIPTION:Welcome to Liljevalchs’ artist-led creative workshop\, where we are currently exploring the theme of birds\, inspired by Lars Jonsson’s exhibition invisibilis. \n\n\n\nLars Jonsson is Sweden’s most renowned painter of birds and nature. This summer and autumn\, our creative workshop will be set up right in the middle of his exhibition. Here\, children and young people from the age of five and up are invited to try their hand at making art\, together with an accompanying adult. We will work with a variety of techniques\, including painting\, sketching\, origami\, and cyanotype. \n\n\n\nThe workshop programs will vary and are developed by Liljevalchs’ art educator together with guest artists Shiva Niiko Anoushirvani and Cecilia Ömalm\, who will occasionally be on site to lead the sessions themselves. On other days\, the workshop will be run by the gallery’s educational staff and hosts – all practicing artists themselves. \n\n\n\nDate and Time\n\n\n\nEvery Friday–Sunday from June 14 to August 24\, and every Saturday–Sunday from August 30 to October 12.12:00–16:00\, with sessions starting every hour. \n\n\n\nBooking information\n\n\n\nFor children and young people together with an accompanying adult. No advance booking is required – places are allocated on a first-come\, first-served basis. Capacity is limited. If the workshop is full\, you may be offered a place in the queue and wait for your turn. \n\n\n\nPrice\n\n\n\nParticipation in the creative workshop is free of charge. Each accompanying parent/guardian receives free admission to the exhibition (valid for one adult per child). Please inform the reception that you are joining the creative workshop. \n\n\n\n\n\n Every Friday–Sunday from June 14 to August 24\, and every Saturday–Sunday from August 30 to October 12.  \n\n\n\n Liljevalchs  \n\n\n\n Free of charge. Drop-in on site.
URL:https://liljevalchs.se/kalender/art-lab-birds/
CATEGORIES:Children & Youth,Skaparverkstad,Skola
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BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20250613T000000
DTEND;TZID=Europe/Stockholm:20251012T235959
DTSTAMP:20260927T065608
CREATED:20250819T132402Z
LAST-MODIFIED:20250915T092201Z
UID:10000233-1749772800-1760313599@liljevalchs.se
SUMMARY:Lars Jonsson\, invisibilis
DESCRIPTION:placeholder-4-3Lars Jonsson\, invisibilis\n13 juni–12 oktober \n                \n                            \n        \n        \n\n\n\n\n\n\nLars Jonsson is the most prominent painter of birds and nature in Sweden. In the exhibition invisibilis\, his lifelong artistry alongside many new works are presented. \n\n\n\nLars Jonsson is considered one of the world’s finest in depicting birds and nature\, a genre with a long-standing tradition in art history. The influence from Bruno Liljefors is particularly evident\, who exhibited in the very same halls of Liljevalchs\, in the art gallery’s first exhibition in 1916. In the 1970s\, Lars Jonsson became known internationally as an ornithologist for his handbook about the birds of Sweden. \n\n\n\nWith his deep knowledge\, unique perception and technical skills\, Lars Jonsson has revolutionized bird painting. In his paintings\, the birds’ appearance and the close connection to their habitats are captured\, but the images also reach deeper\, into their characters and inner lives. In the exhibition\, we are invited to follow the artists’ creative process\, from sketch to completed painting. In the poetic depictions\, we perceive something that on the surface seems hidden\, but that is made visible by Lars’ ability to identify with the personality and soul of the birds. \n\n\n\nWhen I\, for the first time this year\, point the monocular to the couple of eiders in the graygreen water\, calmly swimming in from the shores\, it’s that same feeling and perception of something that needs to be captured\, read and eternalized. In the exact moment that I see the scene\, my head paints what my retina perceives – the combination of graygreen\, pink\, the white that shifts to shades of peach\, mango\, lemon peel\, vanilla and the edges as black as dry liquorice\, and slowly\, the waves wander in toward the beach. The wonder takes place here and now\, says Lars Jonsson\, artist. \n\n\n\nThe curator of the exhibition is Emil Ivedal. \n\n\n\nImage: Septemberskymning (Common snipe)\, watercolour\, 2024. \n\n\n\n\n\n\n\n Opens June 13th \n\n\n\n Visitors info \n\n\n\n Book a guided tour \n\n\n\n Main building
URL:https://liljevalchs.se/kalender/lars-jonsson-invisibilis/
LOCATION:Liljevalchs Bergstenshuset\, Djurgårdsvägen 60\, Stockholm\, 11521\, Sverige
CATEGORIES:Children & Youth,Guided tours,Konstsamling,Skola
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BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20250613T000000
DTEND;TZID=Europe/Stockholm:20250810T235959
DTSTAMP:20260927T065608
CREATED:20250825T123255Z
LAST-MODIFIED:20250825T123256Z
UID:10000237-1749772800-1754870399@liljevalchs.se
SUMMARY:Komtemåtta—A pioneering safe space for women
DESCRIPTION:Petra Bauer\, Åsa Elzén\, Susanne Ewerlöf\, Olivia Plender\, Åsa Sonjasdotter\, Anders Sunna and Siri Derkert. \n\n\n\nIn the exhibition Komtemåtta—A pioneering safe space for women\, six contemporary artists deep-dive into the groundbreaking educational experiment that was the Citizen School for Women at Fogelstad (1925-1954) and Sami women’s activism from the early 1900s. Founded one hundred years ago by five headstrong women\, the Citizen School was open to women from all corners of society to come and practice citizenship. The artworks in the exhibition interact with archival materials from the school\, borrowed from the KvinnSam archive at Gothenburg University\, as well as a selection of works by artist Siri Derkert\, who was a course participant. \n\n\n\nThe school’s founders were active in the suffrage movement\, and two were elected to the Swedish Riksdag in 1921: estate owner and politician Elisabeth Tamm and workplace inspector Kerstin Hesselgren. The other founders were author Elin Wägner\, doctor Ada Nilsson\, and teacher and school principal Honorine Hermelin.With innovative pedagogical methods\, the Citizen School became a meeting place for radical intellectuals and women from diverse backgrounds. \n\n\n\nCourses were designed to educate women in how to navigate their responsibilities as citizens. While there was neither a set learning agenda nor a reading list\, the curriculum was extensive.Alongside lectures about history\, politics and reproductive health\, the school was ahead of its time in applying methods centered on learning through self-study\, and collective experiences like role play\, choir singing and discussion clubs. The title of the exhibition\, Komtemåtta\, refers to the imaginary municipality created by teacher Ebba Holgersson. Komtemåtta was used as a pedagogical tool for participants to test different societal roles and functions. \n\n\n\nThe exhibition is initiated by Kin Museum of Contemporary Art in Kiruna. Curators are Maria Lind and Hanna Nordell. The exhibition is realized in collaboration with Kin\, KvinnSam at the University of Gothenburg Library and the magazine Ord&Bild. \n\n\n\n \n\n\n\n\n\n\n\n Opens June 13th \n\n\n\n Visit us \n\n\n\n Liljevalchs+
URL:https://liljevalchs.se/kalender/komtematta-a-pioneering-safe-space-for-women/
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BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20250328T000000
DTEND;TZID=Europe/Stockholm:20250810T235959
DTSTAMP:20260927T065608
CREATED:20250212T112039Z
LAST-MODIFIED:20250825T123617Z
UID:10000208-1743120000-1754870399@liljevalchs.se
SUMMARY:Drick Drick
DESCRIPTION:Liljevalchs is proud to present Drick Drick\, a major solo exhibition by CarolaGrahn\, one of Scandinavia’s leading contemporary artists. Opening on March28\, 2025\, this exhibition marks Grahn’s first significant showcase inStockholm. \n\n\n\nIn Drick Drick\, Grahn transforms ordinary objects into compelling symbols of personal experience\, social critique\, and collective memory. An overflowing glass\, a joik machine\, brooms\, and 17 engraved knives become the building blocks of large-scale\, meticulously crafted installations that span the exhibition halls. \n\n\n\nGrahn’s conceptual and sensory works poetically address social issues\, colonialism\, and theindividual’s place within broader cultural contexts. For this exhibition\, she has collaborated withLiljevalchs to create several new pieces\, described as three-dimensional images unfolding throughout the spaces. \n\n\n\n“Stepping into the exhibition will be somewhat like entering my mind\, wandering around my thoughts and looking out at the present through my eyes. It’s an experience of thirst\, desire and hopelessness\,” Grahn explains. \n\n\n\nBorn in 1982 in Jåhkåmåhkke (Jokkmokk)\, Saepmie\, Grahn is of Southern Sami descent. Her diverse practice encompasses various media\, often interweaving dark humor\, popular culture references\, and Sami traditions to challenge stereotypes and power structures. \n\n\n\nGrahn’s work has been exhibited internationally at prestigious venues such as Buffalo AKG in New York\, Southbank Centre in London\, Onsite Gallery in Toronto and Museum of Contemporary Native Arts in Santa Fe. Her 2020 solo exhibition at Röda Sten in Gothenburg marked a significant milestone in her career\, leading to increased international recognition.Joanna Sandell Wright\, curator and artistic director of Liljevalchs\, states\, Drick Drick is a major art event in Sweden this spring\, offering visitors the chance to engage with one of today’s most relevant contemporary oeuvres”.  \n\n\n\nDrick Drick will be on display at Liljevalchs+ from March 28 to August 12\, 2025\, inviting visitors to immerse themselves in Grahn’s unique artistic vision and explore the intersection of the mundane and the profound. \n\n\n\n \n\n\n\n\n\n\n\n\n\n Visit us
URL:https://liljevalchs.se/kalender/drick-drick/
LOCATION:Liljevalchs+\, Falkenbergsgatan 3\, Stockholm\, 11521\, Sverige
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20241108T000000
DTEND;TZID=Europe/Stockholm:20250223T235959
DTSTAMP:20260927T065608
CREATED:20250908T133138Z
LAST-MODIFIED:20250908T133237Z
UID:10000238-1731024000-1740355199@liljevalchs.se
SUMMARY:Go As You Please - Ann-Sofie Back 1998–2018
DESCRIPTION:Ann-Sofie Back has been called Sweden’s most influential clothing designer\, known for her subversive and thought-provoking fashion\, often inspired by clichées about femininity\, shame and failed glamour. Now\, she presents her collections from her entire carreer with Go As You Please – Ann-Sofie Back 1998–2018\, an exhibition that will fill Liljevalchs+ during the fall of 2024. \n\n\n\nAnn-Sofie Back got her MFA from Central St Martin’s in 1998. Since then\, she has made collections in her own name until 2018. Her collection has been showed on London and Paris Fashion Weeks and been sold in stores all over the world. The design archive of Back has been kept almost intact since she started designing in 1998. Everything is saved and is now taking place at Liljevalchs+ as a kind of prospective-retrospective for her long\, celebrated carreer in the fashion world. \n\n\n\nThe works of Ann-Sofie Back were inspired by stereotypical images of beauty\, taste\, femininity\, social phenomena and fashion\, creating a tool for status\, i.e. the transformative elements of fashion. Her work has been presented at prominent museums and galleries around the world. Alongside the exhibition\, a book has been composed\, covering the whole carreer of Ann-Sofie Back\, including sketches\, catwalk images\, campaigns\, press cuttings and invitations for fashion shows. The catalogue also features interviews and articles\, as well as different styling projects by Ann-Sofie Back for Self Self Service\, Purple and Dazed\, among others. \n\n\n\nPhoto from “Ann-Sofie Back aw04″\, photo: Chris Moore.   \n\n\n\n \n\n\n\n\n\n\n\n 		\n			Open today 11–17		\n		 \n\n\n\n Besöksinfo \n\n\n\n  Boka gruppvisning \n\n\n\n Liljevalchs +
URL:https://liljevalchs.se/kalender/go-as-you-please-ann-sofie-back-1998-2018/
CATEGORIES:Konstsamling
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